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Creating Masks with Threshold Adjustments

By Liz Ness  ·  October 28th, 2010

Liz turned a happy accident into a new technique for creating masks inside Photoshop Elements. (For more, see her blog post, “A Masking Trick from a Happy Accident.”

Here is a quick rundown of Liz’s basic steps:

  1. Create a copy of the background layer (Ctrl-J/Mac: Cmd J).
  2. Create a Threshold adjustment layer (Layer>New Adjustment Layer>Threshold) and adjust so that there is a good line defining the edge between sky and mountains.
  3. Select both the adjustment layer and the copied layer (select one, press Shift and select the other). Then, merge them (Ctrl-E/Mac: Cmd-E).
  4. Press D to set the background and foreground to their default colors.
  5. With a brush (B), paint out any white that is in the mountain portion of the merged layer.
  6. Switch background and foreground (X) and paint out any black that is in the sky portion.
  7. With the magic wand (W), select the black portion of the merged layer.
  8. Hide the merged layer by clicking on the eye next to the layer.
  9. Create a new Hue/Saturation layer (Layer>New Adjust Layer>Hue/Saturation) and adjust as desired.

If the mask is revealing the adjustment in the sky, but you wanted it for the hills, click on the mask for the Hue/Saturation layer and press Ctrl-I (Mac: Cmd-I). Then, adjust as desired.

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11 Replies to Creating Masks with Threshold Adjustments:

  1. James

    October 29, 2010 at 8:29 am

    The video now works great, all around.

    I’ve tried this masking technique on a couple of photos and WOW, what a great way to mask those detailed areas!

    Thanks for sharing, Liz!

  2. Clarke

    October 30, 2010 at 10:37 am

    Liz…thanks so much for an imaginative and useful technique. I could have used this a thousand times in the past!! Clarke

  3. Charlotte

    October 31, 2010 at 1:16 pm

    Very good informative tutorial. I will be trying it out soon. Thanks very much!

    Charlotte

  4. Dina

    November 2, 2010 at 10:14 am

    Nice idea. But wouldn’t it have been easier to just select the white in the sky just before creating the first Hue/Saturation adjustment layer. This would have avoided the first inverse of the mask?

  5. Joyce

    November 4, 2010 at 10:38 am

    This was very interesting. Sure would like to se an article on this in the magazine.

  6. Bob

    November 6, 2010 at 7:28 pm

    Enjoyed your video and have saved it for future reference. Thanks for the tip.

  7. Laura

    November 9, 2010 at 2:36 pm

    This sounds like it might be a good technique for get the fringes of hair on a person when you’re trying to make him or her stand out, no?

  8. Kenneth

    December 4, 2010 at 6:20 pm

    Marvelous technique! Tried on several intricate photos needing adjustments. This technique saved me huge amount of selection time. Truly a Godsend. Thanks…..:-)

  9. Gary

    December 7, 2010 at 10:32 pm

    Please put the 9 steps listed by Liz in the original Oct 28 blog into a cheatsheet link to be consistent with other video tutorials.

    This is a great technique. It’s similar to what Capture NX2 does automatically in creating masks.

  10. Billy

    January 30, 2011 at 11:22 pm

    Thank you for the tutorial – one of the most useful I have seen so far. Makes Touching up dreary photo’s a breeze.

  11. Lisa

    March 27, 2011 at 8:44 pm

    This is a masterful technique which I’ve now used dozens of times. One of the most clever techniques I’ve seen anyone on this website produce. Thank you Liz.

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