By Rick LePage  ·  March 5th, 2009

This is the sample image used in Lesa Snider’s “Learning to Love Levels” article.

By Ben Long  ·  March 5th, 2009

This is the sample image used in Ben Long’s “Advanced Black and White Editing” article.

By Diana Day  ·  March 1st, 2009

Sample file to follow along with Diana’s Textures article.

By Rick LePage  ·  March 1st, 2009

When I speak with people who want to learn more about Photoshop Elements, I usually tell them that the key to getting the most out of the program is to gain an understanding of two concepts: Levels and layers…

By Matt Kloskowski  ·  March 1st, 2009

Sometimes all it takes to add some zing to a portrait is a touch of extra highlights added to your subject’s hair.

By Lesa Snider  ·  March 1st, 2009

Let’s dive into Levels, histograms and adjustment layers, showing you a few tricks that will let you quickly improve the quality of your pictures.

By Ben Long  ·  March 1st, 2009

Some of the finest photos in history were shot in black and white, and it’s an art form that remains relevant today. We show you how easy it is to turn ho-hum color shots into stunning grayscale images.

By Ben Long  ·  March 1st, 2009

You’ve decided to turn some of your work into grayscale. Now, take the next step and use localized editing techniques to make them sing. (Then take these methods and use them on your color images.)

By Pamela Pfiffner  ·  March 1st, 2009

Bobbie Coughlin talks about the work that went into restoring a cherished friend’s photo. You’ll be so inspired by her work that you’ll head up to the attic for old images.

By Diana Day  ·  March 1st, 2009

Transform an image from boring to exciting by applying textures to your photos.

By Matt Kloskowski & Rick LePage  ·  March 1st, 2009

Repositioning marquee selections; increasing image size; saving JPEGs; getting the Elements manual.