Use the Masking slider inside Camera Raw’s Sharpening tab get the best possible sharpening–via an edge mask–before bringing your photo into Elements.
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Using Camera Raw
Matt shows you how to use the Camera Raw dialog to edit your JPEG images. There are things you can do there that can not be done in the Editor.
Matt shows you the best way to use the Camera Raw dialog along with the Elements Editor to process different parts of an image for picture perfect results.
Dave shows you how to combine two images with adjusted exposure via Camera Raw.
In part two of our series on the RAW format, we’re going to look at Photoshop Elements’ raw tools, and learn how to use them to process raw files from your camera.
If you own a digital SLR camera, ‘shoot raw’ is one of those phrases that you hear all the time, but what do Raw files give you that JPEG files can’t? The answer is: ‘quite a bit,’ and ben long tells us why.
Matt shows you how to remove the blue or green cast that happens when using underwater cameras.
There is a way in Camera Raw to set new defaults and have each photo open up with your favorite settings already applied to it.
Matt shows you how to set new defaults in your Camera Raw plug-in. See the Oct. 28th, 2008 video for Part 1.
Matt takes you through his whole editing process, from taking the photo straight out of the camera to creating the finished product.
Elizabeth shows you two noise reduction techniques – one inside of the Camera Raw dialog and another inside of Elements.
Adobe has released Camera Raw 6.3 for Photoshop Elements 9, and, for the first time, ACR updates automatically! (We also have a tip for using newer cameras’ Raw files with older versions of Elements.)
Here, we clarify why it’s important to upgrade to the latest version, which versions of Camera RAW work with which versions of Elements, and exactly what you need to do to get the plug-in running properly.
Use the Camera Raw dialog box (even with JPEG images) to achieve a nice, high-key vintage effect on your photos.
Push your edits further and save photos that might otherwise be ruined by shooting in your camera’s Raw mode. We’ll show you how to get started.
Mike uses three different images — landscape, portrait, and an underexposed photo — to illustrate how to work with the tools and sliders inside Camera Raw.
Matt offers some tips for using the Camera Calibration tab inside Adobe Camera Raw before you work in Photoshop Elements.
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