The September/October 2012 issue of PET has left the printer and should be winging its way around the US and far-flung reaches of the globe; once you get your issue, don’t forget to check out the sample files and Web links on our site.
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These are the sample images to follow along with Larry Becker’s “Stop Glaring at Me” tutorial from the May/June 2013 issue of PET.
These are the sample images to follow along with Diana Day’s “Full Steam Ahead” tutorial from the July/August 2013 issue of PET.
Mike continues the process of restoring an old tattered image in this 4-part series.
This is the sample image to use to follow along with Rick LePage’s “The Orton Effect” article in the January/February 2009 issue of Photoshop Elements Techniques.
These are the sample images to follow along with Corey Barker’s “The Splatter Zone” tutorial from the January/February 2014 issue of PET.
Add Lightening Bolts to your images using the Lightening Bolt brushes created in the earlier tutorials.
Have fun creating a composite image using the same person in different locations within the image.
Just about any image-editing project begins with a selection, and the quality and look of your editing results are greatly affected by the quality of your selections. In prior issues, you?e learned about the magic wand and the rectangular marquee tools. Here you?l expand your selection tool repertoire and skill set.
Designing elements for a scrapbook kit can be a challenge. You quickly learn to recognize basic shapes enhanced with layer styles as just that: basic shapes. The challenge is to create something new and unique. To do this, you need to see beyond the obvious or ‘think outside the box.’
Most folks don’t think about using filters in conjunction with text, but they are a great way to ‘texturize’ your prose. And with a layer mask, you can create beautifully distressed text that remains editable.
Have you ever watched someone else at the computer and been amazed how quickly they work or move around the interface? How do they do this? Welcome to the wonderful world of keyboard shortcuts. These little timesavers enable you to work faster in Photoshop Elements and leave you with more time to be creative.
Trick Question: When is the Magnetic Lasso tool not a Magnetic Lasso? Answer: When you use the Alt key.
Here is a selection of recent photos and projects by Photoshop Elements Techniques subscribers, showcasing original photos and completed projects from recent magazine tutorials.
This is the companion article to Nancy Marti’s ‘Tag, You’re It!’ article.