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This straightforward sketch technique, borne out of the creativity of subscriber Christell Faul (see Page 18) produces a nice “sketch” effect using layers, filters, blend modes, and a little bit of brush work. It also offers plenty of room for experimentation and personalization.
The latest entries in our Quick Video Tips reference series show you how to create layer masks with adjustment layers in current and earlier versions of Elements.
These are the two sample files needed to follow along with Matt Kloskowski’s “Quick Collages” tutorial from the November/December 2011 issue of Photoshop Elements Techniques.
The November/December 2011 issue of the magazine started mailing to subscribers this week, and we’ve posted the related download and online links files here on the site.
The November edition of our monthly “Letter from the Editor” was sent out yesterday via email; if you haven’t seen it yet–and it isn’t in your junk mail folder–don’t worry: it usually takes a couple of days for our email service to get copies into everyone’s Inbox.
Are your cameras ready? This month’s photo challenge is all about getting into the action. We’ve got all the details—and some helpful tutorials.
The December Letter from the Editor email should be winging its electronic way to subscribers, but you can also view it online.
Our good friend Julie McLeod has graciously shared five of her homemade collections of textures with us: Metal Textures 1; Wood Textures 1; Stone Textures 1 and 2; and Abstract Textures 1.
Jeff Carlson muses about a missed photographic opportunity in a coffee shop in Seattle, and what he would do next time.
We’ve uploaded the 2012 calendar files for our “Quick and Easy Calendars” article, and Wendy Williams has added the 2012 template for her “Making a Single Page Calendar” article.
I love experimenting with textures inside Photoshop Elements, and they can be used to enhance just about any image.
Here are three collections of royalty-free textures from Photoshop Elements Techniques.
One of the best features in Photoshop Elements for working fast is layer styles. In short, they simply make you look like a superstar when all you did was click a button.
With a little understanding of the tips and techniques industry pros use, you’ll be able to leverage optimal control over the selection process.
Liz provides a big answer to the big question: How do you photograph a wedding dress so that it doesn’t lose detail?
I love how photographs tell stories — how they can explore themes, moods, relationships, and action visually. If this concept interests you, as well, you may enjoy our links…
A new lens reminds Liz just how important it is to experiment, try new things, make mistakes, and play!

















