By Jan Kabili  ·  January 2nd, 2006

Shadow/Highlights command, will Camera Raw recognize edits, importing Photoshop Album files.

By Scott Kelby & Dave Cross  ·  November 1st, 2005

What do you do with images when you’ve used too much flash or you shouldn’t have used flash at all? Here are two quick and easy techniques that you can apply to correct these common problems.

By Matt Kloskowski  ·  October 1st, 2005

Much of the work we do to our photos involves using a brush in one way or another. That’s why it’s so important to make sure you know the capabilities and basic concepts behind using brushes.

By Helene Glassman  ·  October 1st, 2005

Whether you have a small studio setup or whether you have to put something together, the basics of getting a good, clean image are the same.

By Dave Huss  ·  October 1st, 2005

While the title of this article may sound a lot like the title of a Dungeons & Dragon instruction book, it is, in fact, all about how to get the most out of the Magic Extractor feature.

By Sara Froehlich  ·  October 1st, 2005

Burn and dodge your way to correct exposure.

By Linda Sattgast  ·  October 1st, 2005

This year consider doing something a little different–turn a photo into a Christmas tree ornament and put it on your scrapbook layout. It will really make your page pop!

By Taz Tally  ·  October 1st, 2005

Just about any image-editing project begins with a selection, and the quality and look of your editing results are greatly affected by the quality of your selections. In prior issues, you?e learned about the magic wand and the rectangular marquee tools. Here you?l expand your selection tool repertoire and skill set.

By Jan Kabili  ·  October 1st, 2005

The Filter Gallery offers previews of one or more filters on a layer, giving you a chance to experiment with different combinations of filters.

By Larry Becker  ·  October 1st, 2005

Tool Time: Zoom, Hand, and Eyedropper tools.

By P.E.T. Staff  ·  September 1st, 2005

A look at the Diffuse Glow filter.

By Matt Kloskowski  ·  September 1st, 2005

Mastering selection tools is one of the most essential and powerful aspects of Photoshop Elements.

By Dave Cross  ·  September 1st, 2005

If there was ever a reason to shoot your photos at the highest possible quality, this is it: the option to turn one photo into a collage using a large and small version of the same image.

By Sara Froehlich  ·  September 1st, 2005

Restoring a discolored sepia-toned image.

By Dave Huss  ·  September 1st, 2005

Here are two quick ways to soften a close-up photo: one using the Eraser tool and the other using layer masks and the Reduce Noise filter.

By Linda Sattgast  ·  September 1st, 2005

Here’s a fun “punch art” technique to give a homespun look to your next digital scrapbook page!

By Taz Tally  ·  September 1st, 2005

Good quality photographs start with good basic photographic techniques, and with making good decisions when you shoot your images. Here are some good fundamental tips.

By Dave Huss  ·  September 1st, 2005

The Navigator palette is kind of a one-stop shop for navigating around in your document.

By Larry Becker  ·  September 1st, 2005

A look at the Elements Toolbox, focusing on Move tool and Foreground/Background Colors

By Larry Becker  ·  June 1st, 2005

If you take a few extra seconds to fine-tune your “smart-fixed” images you can really improve them.